A still from a film recording of Eugen Weidmann’s execution, June 17, 1939.

• Richard Flanagan has won this year’s Man Booker Prize for his novel The Narrow Road to the Deep North. “He instinctively hugged the Duchess of Cornwall as he received the award at a black tie dinner in London.”
• Last night everything was peachy, but the Booker has a history of dust-ups and disorder. Also idiocy—Julian Barnes recalls an encounter after his novel Flaubert’s Parrotfailed to win the prize: “I was introduced after the ceremony to one of the judges, who said to me: ‘I hadn’t even heard of this fellow Flaubert before I read your book. But afterwards I sent out for all his novels in paperback.’”
• The guillotine at the dawn of the media age: in the Paris of 1939, the simplest way to stop executions was to film them. “Unbeknownst to Parisian prison officials, a film camera had been set up in one of the apartments overlooking the Place Louis-Barthou. The film recorded [an] execution and by the next morning photographic stills appeared on the cover of nearly every French newspaper … The public was scandalized by their own violence; the government embarrassed. In response France banned public executions.”
• James Wood on the Australian novelist Elizabeth Harrower, whose work is back in print after twenty years: “[Harrower] essentially terminated her literary career. She has said that she thinks of her fiction as something abandoned long ago, buried in a cellar. She can’t now be bothered with writing. ‘I don’t know anybody who knows I’m a writer,’ she said in 2012.”
• Against basic, the most modish putdown of 2014: “While what it pretends to criticize is unoriginality of thought and action, most of what basicactually seeks to dismiss is consumption patterns—what you watch, what you drink, what you wear, and what you buy—without dismissing consumption itself. The basic girl’s sin isn’t liking to shop, it’s cluelessly lusting after the wrong brands, the ones that announce themselves loudly and have shareholders they need to satisfy. (The right brands are much more expensive and subtle and, usually, privately owned.)”