John White Alexander’s portrait of Twain, ca. 1912.

• At UC Berkeley, scholars have discovered a cache of stories by Mark Twain, written when he was a twenty-nine-year-old newspaperman in San Francisco. “His topics range from San Francisco police—who at one point attempted, unsuccessfully, to sue Twain for comparing their chief to a dog chasing its tail to impress its mistress—to mining accidents.”
• Filmmakers have always struggled in depicting the act of writing. Authors in movies tend to act, all too realistically, like total bores—sitting there, typing, thinking, gazing out windows, et cetera. But it is possible to make good films about writing. One of them is Joachim Trier’s Reprise, which “recognizes that much of the stuff of writing and literary circles is, well, talk. And unlike many other such films, it can talk that talk.”
• Bellow had a way with similes: “When Professor Ravelstein laughs, he throws his head back ‘like Picasso’s wounded horse in Guernica’ … Eddie Walish has a woodwind laugh ‘closer to oboe than to clarinet, and he releases his laugh from the wide end of his nose as well as from his carved pumpkin mouth’ … A man with a wooden leg walks ‘bending and straightening gracefully like a gondolier.’ ”
• In the late sixties, the progenitors of land art were “literal groundbreakers”—a new documentary, Troublemakers, tries to rediscover their works, many of which have “succumbed to natural forces.”
• Plenty of horror video games borrow from Dracula—but they take only the “shallowest trappings” from Stoker, preferring instead to lean on Lovecraft. A new game, Bloodborne, “offers a backward lens into a particularly strange point in horror history in which the anxieties of a changing world found its way into the monsters and terrors of the genre.”