A sketch of a cicada in a van Gogh letter from July 1888.

Next month will come Ever Yours: The Essential Letters of Vincent van Gogh, which runs to nearly eight hundred pages and is frequently more absorbing, expansive, and instructive than a collection of letters ought to be. (He seldom seems to miss the forest for the trees, you could say.) As I thumbed through it, a passage leaped out at me from exactly 130 years ago—a letter van Gogh wrote to his younger brother, Theo, on October 2, 1884. It’s both Grade A existential grousing—were it not for the (faintly) uplifting conclusion, I could’ve believed that Thomas Bernhard wrote it—and, it seems to me, pretty sound advice.

Just slap something on it when you see a blank canvas staring at you with a sort of imbecility.

You don’t know how paralyzingit is, that starefrom a blank canvas that says to the painter you can’t do anything. The canvas has an idioticstare, and mesmerizes some painters so that they turn into idiots themselves.

Many painters are afraidof the blank canvas, but the blank canvas IS AFRAIDof the truly passionate painter who dares—and who has once broken the spell of ‘you can’t.’

Life itself likewise always turns towards one an infinitely meaningless, discouraging, dispiriting blank side on which there is nothing, any more than on a blank canvas.

But howevermeaningless and vain, however dead life appears, the man of faith, of energy, of warmth, and who knows something, doesn’t let himself be fobbed off like that. He steps in and does something, and hangs on to that, in short, breaks, ‘violates’—they say.

Let them talk, those cold theologians.

A letter of van Gogh’s from May 2, 1890.